Mastering
Loudness Targets for Streaming Radio, Explained Plainly
Most of the loudness confusion I see from people prepping tracks for radio comes from treating one number as gospel. There is no single correct loudness target. There are several,…
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Album notes, mixing insights and the small discoveries that make a late-night radio show worth staying up for.
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Mastering
Most of the loudness confusion I see from people prepping tracks for radio comes from treating one number as gospel. There is no single correct loudness target. There are several,…
Mixing Notes
You finish a mix, it sounds huge in the studio, you bounce it, you play it on a laptop, and it turns…
Metering
I can usually tell how a mix was prepped by watching someone use an analyzer. If they stare at the curve, chase…
Metering
Two hours is where a set stops being a playlist and starts being a piece of programming. And the thing that breaks…
Programming
Most sets die around the third track. Not the first, not the second. The opener gets attention for free, the follow-up rides…
Programming
Most of the work that decides whether a track survives an automated station happens before anyone touches a limiter. I ran a station for years, and the failures that actually…
Mixing Notes
The worst feedback I ever got on a station was about a spoken intro. Not the music. The voice. A host had…
Mastering
I spent years programming an internet radio station, and the most useful lesson came from a cheap car radio in the parking…
Mixing Notes
Every long playlist has a moment where it stops being a sequence and becomes a grind. Somewhere around track nine the listener’s ear recalibrates to whatever the average level is,…
Beat Break Radio is an independent corner for people who listen closely: to records, to rooms, and to the way a good mix can change the shape of a night.
We write about music without rushing to a verdict. Expect considered reviews, useful mixing notes and radio programming shaped by curiosity.